Mahler and his daughter Anna mourn the too early passing of his grandson. The story will focus on three families, each struggling with a tragic loss. In a bizarre way, it’s not only about fear but about love. It allows us to question it, which is interesting to explore. “Horror allows for a different view of normalcy. “There are probably many reasons why these adaptations have been successful, but John’s writing, the touching and interesting stories he tells, sets them apart,” they told Variety. Serious, heartbreaking and very Nordic.”Īs noticed by producers Kristin Emblem and Guri Neby, both “Let the Right One In” and “Border” have blown open the boundaries of the horror genre. She intends to make a zombie film unlike anything seen before. “The mere fact that she devoted a densely written page to the behavior, expressions and movement patterns of the undead indicates a huge commitment to getting everything right. Mentally, conceptually and visually,” said Lindqvist, who wrote the script as well. “From the elaborate directorial concept that Thea sent me, I think her vision was more or less perfect. Except for one thing: the incident has awoken the newly deceased. Based on a novel by acclaimed writer John Ajvide Lindqvist – also behind “Let the Right One In” and short story “Border,” later adapted by Ali Abbasi – it will kick off during an especially hot summer day in Oslo, when a strange electric field and collective migraine spread across the city, TVs, lightbulbs and electronics go haywire, and suddenly, it’s all over.
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